The Irish Troubles – Part 1: Miami Showband Massacre Decoded? Chapter 14

The massacre not only ‘coincidentally’ took place surrounded by the aforementioned 13 ‘coincidences’, but now also we have a massacre at which the members of the Miami Showband had just played a gig at the ‘Castle Ballroom’ in Banbridge.

As is usual in such cases of clusters of symbolism apparently forming Masonic onomatology, each significant element appears to have hidden ‘occult’ meaning.

So we find that the ‘Castle’ at Castle Dillon was used as an army barracks and was the secret home of the SAS and other shadowy British Army operations:

scan0015_0 (1).jpg

Danny Ward. Castledillon. 1975. Source: Fair Use. Available from: The Sappers Site [ Archived here ]

…and was where Captain Robert Nairac of the so-called 14th Intelligence Company was based, the location at which:

“…[Captain Robert Nairac] came under the influence of SAS Captain Tony Ball[…]

ball.jpg

SAS Major Julian ‘Tony’ Ball. Source: Fair Use. Available from: Betrayal: The Murder of Robert Nairac GC [ Archived here ]

[…]significantly many believe he modelled himself on Ball”

Col Clive Fairweather former SAS deputy Commander [Citation Source Lost in PC Hack]

…and it is generally understood that:

“4 Field Survey Troop [was] led by Captains Ball and Nairac”

British Army Captain Fred Holroyd from the Report of the Independent Commission of Inquiry into the Dublin and Monaghan Bombings December 2003 [ Archived here ]

So who was Ball and what was exactly going on at Castle Dillon?

“[I]n the first week of January 1974, an officer and thirty men from the SAS arrived in Northern Ireland to form a full detachment of the SRU [ Special Reconnaissance Unit] /NITAT [Northern Ireland Training and Advisory Teams]. The leader was Julian Antony Ball, now back with the SAS, this time as an officer. The detachment was given the cover name 4 Field Survey Troop, Royal Engineers (RE), based at Castle Dillon, Co. Armagh – embedded with the genuine 33 Field Squadron RE which was housed in a separate part of the same base.

[Another reference to the Masonic number 33]

4 Field Survey Troop was an unusual name in that it did not actually exist; it appears to have been chosen solely for ‘local’ consumption and concealment. In documentation, the common cover name of NITAT was used for all three SRU detachments. Shortly after the arrival of the ‘Hereford’ types the Chief of the General Staff (CGS), on a visit to NI, was told that “NITAT was a continuing success”, and the recent reinforcements were well-integrated and doing a first-class job.

In May 1974 the Castle Dillon detachment gained additional assistance from the newly appointed 3 Infantry Brigade Liaison Officer Captain Robert Nairac – a Grenadier Guardsman chosen for this junior, but dangerous staff position.”

‘Meet SAS Commander Julian ‘Tony’ Ball, Robert Nairac’s Comrade-in-Arms’, The Broken Elbow, February 13, 2020 [ Archived here ]

So in a nutshell:

“The Special Reconnaissance Unit was much more disciplined and sophisticated than its predecessor and its operatives all had SAS training. It operated under the cover name of NITAT (NI) – Northern Ireland Training and Advisory Teams (NI), ostensibly the equivalent of genuine NITAT teams in UK Land Forces and British Army on the Rhine (BAOR).

Several detachments came under the umbrella of the Special Reconnaissance Unit and were given normal military names such as Four Field Survey Troop and 216 Signals Unit. Four Field Survey Troop was declared to be part of the Royal Engineers, so nothing could be more innocuous on the Border where roads were being cratered.

The Four Field Survey Troop detachment was based at Castledillon, Co. Armagh …The source …claims that the Northern units would also have travelled to the Republic where they would operate in twos in order to avoid attracting attention to themselves. IRA members were the main targets of their surveillance but certain Irish politicians would have been under observation as well.

Fred Holroyd in a letter to the Guardian dated 13th May 1987 – not published by them but subsequently published by Lobster the following month, claimed that Four Field Survey Troop, under Capt. Julian Antony (Tony) Ball and 2 i/c Capt. Robert Nairac, had operated under the name NITAT. He wrote that they were colocated at Castledillon, Co. Armagh with an Engineer Regiment, which was fed this information. Holroyd’s claim has now been borne out by the document from the Prime Minister’s papers providing details of the SRU.

On the Special Forces roll of honour, Tony Ball is listed under the heading of 22 SAS as follows: Lt. Col. Julian Antony Ball, Sultan of Oman’s Special Forces; Parachute Regiment (Private); King’s Own Scottish Borderers (Officer); 22 SAS (Captain); 14th Int. (Lt. Col.); Awards – MBE, MC; killed in a road traffic accident, Oman on 2nd May 1981, age 37 (with Andrew Nightingale of KMS Ltd., – former 22 SAS)”

Margaret Urwin, ‘Counter-Gangs: A History of Undercover Military Units in Northern Ireland 1971-1976′, November 2012 [ Archived here ]

…and what type of soldier do people say Robert Nairac was?

“Nairac volunteered for special duties. It was now that the paths of Nairac and the SAS crossed. The elite outfit were training new units for the risks of a hidden war in the North. One these was 14 Intelligence, nicknamed ‘the Det’, short for Detachment. The work was exceptionally dangerous. Operators gathered intelligence by frequenting bars known to be used by terrorists. They put tracking devices in weapons found in arms dumps; they tailed known ‘players’. A simple slip, a chance discovery, would have been a death sentence. Nairac grew his hair longer and affected a variety of fake Irish accents and cover stories.

Then he moved to 4 Field Survey Troop, Royal Engineers, based at Castledillon, Co. Armagh. It was a collection of undercover operatives working against both republican and loyalist terrorists. Nairac spent more and more time in bars, his accent now said to be passable. In his book The Dirty War, Martin Dillon recounts that Nairac was able to convince a woman native to Spiddal in Connemara that he was from the same neck of the woods. He told others he was from Westmeath and in a bar in Crossmaglen, his Belfast accent fooled several patrons.”

John Cooper, ‘Robert Nairac was a ruthless English army officer whose reckless bid to spy on the IRA may have ended with his body being fed into a mincing machine. But did he also help loyalists massacre the Miami Showband?’, Daily Mail (London) November 1, 2007 Thursday, SECTION: IRE; Pg. 36 via powerbase [ Archived here ]

So the Castle Ballroom as well as being the last Miami gig, possibly stands for the symbolic ‘room’ at which Nairac’s alleged:

“model[ling of] himself [on Ball]”

Col Clive Fairweather former SAS deputy Commander [Citation Source Lost in PC Hack]

…[at the Castle] occurred with

“…4 Field Survey Troop, Royal Engineers, based at Castledillon, Co. Armagh.”

John Cooper, Daily Mail via powerbase [Added Emphasis]

…thus:

“[At Castle Dillon Captain Robert Nairac] came under the influence of SAS Captain Tony Ball…significantly many believe he modelled himself on Ball”

Col Clive Fairweather former SAS deputy Commander [Citation Source Lost in PC Hack]

…in a situation in which:

“…4 Field Survey Troop [was] led by Captains Ball and Nairac…

[…and during which…]

Fred Holroyd arrived in Northern Ireland in January 1974 as a Military Intelligence Officer,”

British Army Captain Fred Holroyd from the Interim Report of the Independent Commission of Inquiry into the Dublin and Monaghan Bombings, December 2003 [Added Emphasis]

So we have ‘CASTLE’ and ‘BALL’:

scan0015_0 (1).jpg
ball.jpg

…which in the system of ‘Mystical Toponomy or Psychogeography apparently:

“…incorporates word wizardry (onomatology) and the Masonic science of symbolism.”

James Shelby Downard with Michael A. Hoffman II, King-Kill/33, ‘Masonic Symbolism in the Assassination of John F. Kennedy’, 1998 [ Archived here ]

…giving us THE CASTLE BALLROOM the last venue in the North that any Showband EVER played and as stated was the venue the Miami played just before the massacre:

UTV News report by Brian Black 01 Aug 1975- Fair Use- Available From “Miami Showband massacre, ambushed and executed by the UVF pretending to be an army checkpoint, 1975”

This event may not mean too much too in isolation, but we must remember again the context of the other ‘coincidences’ and that in the upper echelons of the secret society of Freemasonry, we are told that:

“Every word is often an enigma; and to him who reads in haste, the whole may seem absurd [but] they must conceal their meaning and deceive all but the initiates.“

Albert Pike, ‘Morals and Dogma’, 1871, Pg 792 [ Archived here ] [Added Emphasis]

…as:

“…writers who have sought to establish a scheme of Magical Masonry refer almost altogether to the supposed power of mystical names or words, which they say is common to both Masonry and magic. It is certain that onomatology, or the science of names, forms a very interesting part of the investigations of the higher Masonry, and it is only in this way that any connection can be created between the two sciences. Much light, it must be confessed, is thrown on many of the mystical names in the higher degrees by the dogmas of magic; and hence magic furnishes a curious and interesting study…”

Albert G. Mackey M.D., ‘Encyclopedia of Freemasonry and its Kindred Sciences’, 1914, Pg 459 [ Archived here ] [Added Emphasis]

So it appears that at higher levels, these people, who allegedly hold the strings of power, may be fanatics, terrorist group supremacists who apparently believe in dishing out death and mocking us all at the same time.

So now things become a little harder still to put down to coincidence, Castle Ballroom looks more like a Masonic ‘Revelation of the Method’:

“…the…Masonic “Revelation of the Method.”…alludes to the process wherein murderous deeds and hair-raising conspiracies…and every manner of horror show are first buried beneath a cloak of secrecy…and then, when finally accomplished and secured, slowly revealed to the unsuspecting populace who watch…deep-frozen…as the hidden history is unveiled…”

Michael Hoffman II, ‘Secret Societies and Psychological Warfare’, 1992 Edition, Pg 36 [ Archived here ]

The journey of sacrificial psychodrama which apparently was the Miami Showband Massacre, began at the ‘Castle Ball-Room’, as the ill-fated Miami Showband, at the end of yet another successful show, with their gear packed up by their road crew, began their journey.

So while, alone, this phonetic correlation could also reasonably be put down to another coincidence we must take into account the facts.

For now also we have ‘Castle’ and ‘Ball’, allegedly being the source of the agent blamed for the Miami Showband Massacre, coincidentally referred to through the ‘Castle Ballroom’ indicating again the possibility that for practical purpose:

“The reason we are seeing these words come up in these…events is that we have a wing of Intelligence telling the rest of the Intelligence community it is there […] It is saying, “We are here! We did this…it is a manufactured event and we manufactured it. Stand down.”

Miles Mathis, ‘The Unabomber Was Another Psy-Op’, First published September 13, 2014 [ Archived here ]

The apparent occult (meaning hidden) purpose of such evident ‘code’ is to ‘bend’ reality:

“The word wicker has many denotations and connotations one of which is “to bend,” as in the “bending” of reality. It is also connected to witchcraft through its derivative, wicca.”

Michael Hoffman II, ‘Secret Societies and Psychological Warfare’, 1992 Edition, Pg 75-76

…in symbolic actions which are then openly flaunted as a:

“…brilliantly orchestrated ritual whose ceremonial aspects were as precise and detailed as the internal workings of a clock. […]

RENAUD_&_PAPI_3_Basel_1988.jpg

Author Attribution: Thewatchmanpro – Own Work. Perpetual calendar watch. 1988. Source: CC BY-SA 4.0. Available from: Wikicommons

[…]This theater of death began as a ritual for the cult-members themselves and ended as a giant magical ceremony for the processing of the entire nation.”

Michael A. Hoffman II, ‘Secret Societies and Psychological Warfare’, Page 78 (1993 Edition) referring to the ‘Son of Sam’ murders [Added Emphasis]

…in that:

“[t]he result of all this has been that a whole generation of teenagers have grown up deprived of the normal social outlets that kids can expect elsewhere.”

Narrator from TV Footage, ‘ReMastered: Miami Showband Netflix Documentary’, 1m:30s – 2m:04s

…for while:

“[t]here was terrible, terrible atrocities being committed…through the middle of all of this murder and mayhem we were equally popular both sides of the border, north and south, to a mixed audience. You looked down at an audience and…you can’t pick out the catholics and the protestants, they all looked the same and spoke the same.”

Stephen Travers, ‘ReMastered: The Miami Showband Massacre-Netflix Documentary’, 10m.09s-11m.13s

Thus the popularity of the Showbands worked against the British State’s apparent aims of ‘Divide and Conquer’ and collusion, engendering the wholesale murder and destruction building bitter resentment and retribution on both sides.

So ‘CASTLE’ (the secret base) and ‘BALL’ (the apparently rogue leader) ‘coincidentally’ appears manifest as CASTLE BALLROOM the very last venue in the North that any Showband EVER play, by being the one the Miami play just hours before the massacre:

vlcsnap-2022-09-21-19h41m57s995.png

UTV News report by Brian Black 01 Aug 1975- Fair Use- Available From “Miami Showband massacre, ambushed and executed by the UVF pretending to be an army checkpoint, 1975”. Source: Fair Use. Available from: YouTube

So now we have even more ‘coincidences’.

THE MATHEMATICAL ODDS OF THESE ANOMALIES BEING COINCIDENTAL LESSEN WITH EACH CHAPTER…

READ ON THEN YOU DECIDE.