Was Miami Showband Member Millar Unwittingly Lured Away from the Massacre to Fulfil Ritual Symbolism?
It is interesting to note that the member of the band not on the van, named Miller drove home to Antrim to see his parents in his car.
Given the clusters of symbolic meaning pertinent to the ancient pagan harvest rites concurrent with its occurrence on Lughnasadh, and the apparent obsession of the perpetrators with the minutest detail of this ancient ritual, it is surely reasonable to question whether there was a covert engineering behind the scenes to subtly manipulate the situation that separated Millar from the rest of the band.
Well here it is important to remember that:
“…writers who have sought to establish a scheme of Magical Masonry refer almost altogether to the supposed power of mystical names or words, which they say is common to both Masonry and magic. It is certain that onomatology, or the science of names, forms a very interesting part of the investigations of the higher Masonry, and it is only in this way that any connection can be created between the two sciences. Much light, it must be confessed, is thrown on many of the mystical names in the higher degrees by the dogmas of magic; and hence magic furnishes a curious and interesting study…“
Albert G. Mackey M.D., ‘Encyclopedia of Freemasonry and its Kindred Sciences’, 1914, Pg 459 [ Archived here ] [Added Emphasis]
…and that:
“Grammar is the science which teaches us how to express our ideas in correct language…”
Reuben G. White, ‘”The Masonic Ritual” for use by The Most Worshipful Prince Hall Grand Lodge, Free & Accepted Masons’ [ Archived here ]
…not to mention that it is written that in high level Freemasonry:
“Every word is often an enigma; and... they must conceal their meaning and deceive all but the initiates.” [Pike, p. 792].”
J. Edward Decker, ‘Freemasonry: The Doctrines of Darkness’, Pg 95 [ Archived here ] [Added Emphasis]
Could these occult fanatics have possibly orchestrated the eventuality that led the band member Miller to go to visit his parents which ended up saving his life merely due to his name?
For there is no evidence that he was ‘in on it’, and after much study I conclude that a person of his obvious integrity and attachment to his band could not possibly have colluded in this atrocity.
As previously stated the occult ‘Deep State’ fanatics, have, in our own symbol laden persecution, used ‘agents of infiltration of individuals naïve to their machinations, and have a knack of subtly infiltrating and influencing completely unrelated and innocent parties.
They then use their weight to charm, flatter, threaten or ‘lean’ on parties, to infiltrate and influence thus ‘hoodwinking’ them.
“Hoodwink (definition). A symbol of the secrecy, silence and darkness in which the mysteries of our art should be preserved from the unhallowed gaze of the profane.”
Dr. Albert Mackey, Mason, member of the 33rd degree, foremost Masonic historian of the 19th century, writing in the Encyclopedia of Freemasonry, Pg 350
They then appear to use whatever type of influence is required in order to manipulate unwary victims into making decisions or acting in ways that favour their sadistic apparent obsession with symbolism as will be seen in the main work of ‘The Celebrity Code’.
However the killing of ‘the Miller’ would not ‘fit’ into the seeming sick Lughnasadh ritual which we have apparently disassembled here, much as an engineer will strip down an engine to illustrate the moving parts.
However what we appear to have disassembled is not a machine but a:
Perpetual calendar watch. Clockwork. Source: CC BY-SA 4.0 – Attribution: Thewatchmanpro, Own Work, 1988. Available from: Wikicommons [ Archived here ]
“…brilliantly orchestrated ritual whose ceremonial aspects were as precise and detailed as the internal workings of a clock.”
Michael A. Hoffman II, ‘Secret Societies and Psychological Warfare’, Page 78 (1992 Edition) referring to the ‘Son of Sam’ murders [ Archived here ]
For in the apparently obsessive mindset of those who secretly plan in minute detail what appear to the public to be ‘terrorist’ spectaculars, it would likely ‘not do’ to have the ‘Miller’ ‘sacrificed’, and so it seems possible that he may have been deliberately and without foreknowledge of the atrocity, lured away from the massacre, as to have the ‘Miller’ intact, obviously suits the ancient harvest theme of Lughnasadh.
Thus the ‘Miller’s’ absence from this apparent human sacrifice would be in keeping with the ritualistic meaning of his name as ‘Miller’ in context of Lughnasadh as a festival of harvest, and a human sacrifice night in order that the Masonic ascribing of meaning to names in this ritual fits in with the symbolic killing of ‘John Barleycorn’ occurring on 31st July – 1st August:
“In The Golden Bough, Sir James Frazer cites John Barleycorn as proof that there was once a Pagan cult in England that worshipped a god of vegetation, who was sacrificed in order to bring fertility to the fields. This ties into the related story of the Wicker Man, who is burned in effigy. Ultimately, the character of John Barleycorn is a metaphor for the spirit of grain, grown healthy and hale during the summer, chopped down and slaughtered in his prime, and then processed into beer and whiskey so he can live once more.”
Patti Wigington, ‘The Legend of John Barleycorn’, 2nd July 2019, Learn Religions Blog [ Archived here ]
Thus to follow the occult logic of what appears to be a Masonic human sacrifice, and the use of names in Twilight Language, it would surely have been important that the ‘Miller’ should not be part of the apparent ‘sacrifice’, as in the myth of John Barleycorn the miller is essential to the transubstantiation of the ritually killed body of John Barleycorn into the sustenance enabled from the bread and beer made from his ‘body’.
“In the folklore of the British Isles, John Barleycorn represents the barley crop harvested each autumn. John Barleycorn endures much, corresponding to the cyclic nature of planting, growing, harvesting, and death.
Our English (and Scottish) John Barleycorn has become a celebration of the barley crop and its intoxicating products – beer and whisky – but he is closely connected to a very ancient figure, the Bronze-age “sacrificed and risen hero”. This figure is frequently, although not conclusively, found in the mystery cults of the Middle East. Damuzi, Attis, Adonis, are all connected to the more homely John Barleycorn.”
Chris Thompson, ‘John Barleycorn’, 2nd August 2012, Story Archaeology: Conversations on Irish Mythology Blog [ Archived here ]
This continues the symbolic meaning, for Millar as the ‘Miller’ as the only uninjured survivor unwittingly took the role of spokesman for the band, becoming a public figure, telling of his outrage and sorrow, thus unwittingly assisting with the transubstantiation not of barley into bread or beer, but of violence into terror thus apparently enabling the ‘shaping’ of society by the ‘craftsmen’:
“The issue of controlling humanity with esoteric words and symbols encoded within a play, a media spectacular or a ritual [which] is one of the most difficult for people to comprehend.”
Michael A. Hoffman II, ‘Secret Societies and Psychological Warfare’, Page 79 (1992 Edition) referring to the ‘Son of Sam’ murders [ Archived here ]
Thus he was apparently required to be involved in the symbolic ‘miller’ role of the alchemical transformation or transubstantiation, not of corn or rye into bread, or barley into beer, but of the event into a propaganda in the media intended to divide the people of Ireland and inflame sectarian tensions after their assassination:
“The occult Cryptocracy processes the Group Mind of the masses mainly through psychodrama […] a mental virus is implanted [via] television and the story is of our extinction. The narrative, the plot, the characters and the symbolism all constitute the imprinting that is one of the highest functions of ceremonial, cereal murder.
[…]
Being programmed-while you are awake–by symbols of which you are unconscious–is essentially a description of mass hypnosis.
Having placed a ritual prop in the Group Mind, it is necessary to place it in physical space as well…”
Michael A. Hoffman II, ‘Secret Societies and Psychological Warfare’, 2001 Edition, Pgs 9, 176 [ Archived here ]
Thus apparently ‘framed’ by British Intelligence through collusion with the Ulster Volunteer Force alongside the other intended dead band members, and dead members of the UVF, to ‘help’ in the unwitting role of ‘bending reality’ shouldering their burden of the atrocity in the form of negative propaganda gleaned through apparent human sacrifice, and the subsequent transubstantiation from apolitical artists into political terror, just as the job of the miller shouldered the burden of the metaphorical harvest and thus to further the apparent establishment aims of spreading terror through the sacrifice of his friends bodies, thus turning the raw material of the sacrifice into the intended end product- that of sowing division and terror, of shutting down any avenue to a normal life, ending the mixing of catholic and Protestant such as happened at Showband events.
This is not too much to assume given that:
However in the light of this evidence, we find even more shocking is the next ‘significance’:
THE MATHEMATICAL ODDS OF THESE ANOMALIES BEING COINCIDENTAL LESSEN WITH EACH CHAPTER…
READ ON THEN YOU DECIDE.
