The Black Book of Contemporary Arts- The Celebrity Code- Censored by Deep State for Exposing Nazi Symbolism- Free Sample of Front Matter
The Black Book of Contemporary Arts- The Celebrity Code –
This is a banned #eBook by the Deep State for Exposing the symbolism of #CancelCulture Free Sample of Front Matter
THIS 3,500 PAGE BOOK, EXPOSING THAT THE OCCULT-OBSESSED, BANKING-FUNDED NAZIS WERE NOT DEFEATED IN WWII, AND ARE HIDING IN PLAIN SIGHT ALL AROUND US, IS BANNED BY THE GLOBALIST ‘DEEP STATE’.
How did I find this out?
Being a poor white kid in the late 70s and having no opportunity to pursue my artistic talent into a career so with no avenue for self-expression I became a graffiti writer in 1982.
After painting through the 80s I eventually graduated to painting British Rail and London tube trains during the ‘golden age’ of graffiti art with my multi ethnic peers from the inner city…
ln 1989 I gave up illegal work and focused solely on canvases and commissioned murals to grateful collectors and clients…
That was fine until I took the next step and tried to show my work on cans then my entire life changed, hey even cancelled me talking about art being cancelled
If we talk about art being cancelled then
we will be cancelled ourselves
Two of my grassroots graffiti-writer-peers who were cancelled complained about it.
They are now dead.
One was completely covered up and the other with an open verdict which
“…means the jury confirms the death is suspicious, ”
…then the dead artist’s ‘cancellation’ is boasted about in code in the media, hidden in plain sight, by ‘progressive’ celebrities, so that it is seen by millions via the ‘liberal’ media, social media and Bg Tech, as a warning to others of the penalty for too much diversity!
So in attempting to expose the establishment as a continuation of Nazism, but i have no choice as my lives of both myself smd my severely disabled Romani partner are threatened by Nazis, they assert she will be kefwoed32
We were dying for a cause before it had even got a name
WHEN I TRY TO UPLOAD THE 3,500 PAGE BOOK, WRITTEN DURING A DECADE OF INSTITUTIONALISED STALKING, SO THAT I MIGHT WARN THE WORLD AND SELL IT FOR A NOMINAL PRICE, THE HACKERS DESTROY MY PC.
IN THAT DECADE WE HAVE HAD AT LEAST TEN COMPUTERS INFECTED AND RENDERED UNUSABLE, IN WHAT EXPERTS DESCRIBE AS TARGETED ATTACKS WITH CUSTOM MALWARE HOWEVER WE CANNOT AFFORD DECENT TECH EQUIPMENT OR STAFF FOR WE ARE BOTH DISABLED AND ALSO BLACKLISTED FROM OUR RESPECTIVE FIELDS.
EVEN OUR OFFLINE, ‘AIR-GAPPED’ MACHINES ARE FORCED ONLINE COVERTLY TO OBTAIN MY PRIVATE WRITINGS DESPITE NEVER BEING PHYSICALLY ACCESSIBLE, SUPPOSEDLY AN ‘IMPOSSIBLE’ FEAT.
THREE VIDEO-EDITING MACHINES, COSTING WELL OVER £4,500 HAVE BEEN COMPLETELY DESTROYED.
THE LAST TIME I TRIED TO UPLOAD ‘THE CELEBRITY CODE’ BOOK TO THE WEB IT WAS SABOTAGED BY HACKERS. EVER SINCE THEN THE COMPUTER ONLY TYPES 666 WHICH IT DOES ENDLESSLY AND WITHOUT PROMPTING, EVEN AFTER REPLACING THE KEYBOARD, AND THUS IS ALMOST UNUSABLE.
666 IS THE NAME GIVEN TO SATAN BY ST.JOHN’S BIBLICAL PROPHECY OF ARMAGEDDON, THE BATTLE BETWEEN GOOD AND EVIL AT THE END OF THE WORLD.
KNOWN AS THE ‘NUMBER OF THE BEAST’ 666 IS USED BY SATANISTS AND LUCIFERIANS TO SYMBOLISE THEIR SANCTIFICATION OF SELFISHNESS, EGOMANIA AND EVIL, REPRESENTING THE OPPOSITE OF THE GODLY SELFLESSNESS OF UNITY AND LOVE THE ENIGMATIC TERM ‘NUMBER OF THE BEAST’ EMANATES FROM CHAPTER 13, OF THE BIBLE’S REVELATIONS.
666 IS WIDELY INTERPRETED BY BIBLICAL SCHOLARS TO REFER TO TYRANNY AND ENSLAVEMENT OF THE WORLD, SPECIFICALLY THROUGH COLONIALISM THROUGH BANKING AND THE PREVAILING HERETICAL CULTURE OF THE WORSHIP OF MONEY.
“The practice of lending money and charging the borrower interest, especially at an exorbitant .. rate.”
…IS A SIN BY BIBLICAL STANDARDS, WAS FROWNED UPON IN BIBLICAL TIMES AND IS ALSO A MAIN SOURCE GENERATOR OF POVERTY THUS POLITICAL POWER IN MODERN TIMES THROUGH THE INFLICTION OF CRIPPLING INTEREST RATES, LITERALLY THE WEALTHIEST BENSLAVING ALL INCLUDING THE POOREST BY THROUGH THE ISSUING OF BONDS
SAINT JOHN PREDICTS THAT AT THE END TIMES:
“.. all, both small and great, both rich and poor, both free and slave, [are] to be marked on the right hand or the forehead,so that no one can buy or sell unless he has the mark, that is, the name of the beast or the number of its name This calls for wisdom: let him who has understanding reckon the number of the beast, for it is a human number, its number is six hundred and sixty-six..”
MANY HAVE SPECULATED AS TO THE MEANING OF THIS OVER THE CENTURIES, BUT NOW IN CONTEXT OF THE CURRENT COVID-19 HYSTERIA LUCIFERASE SEEMS TO FIT THE BILL. DUE TO MY POVERTY, I WAS FORCED TO CONTINUE TO USE THE MACHINE USING THE ON-SCREEN KEYBOARD, SO THEN THE HACKERS INSTALLED A SCREENSHOT WE TOOK FOR EVIDENCE AS OUR SCREENSAVER!
HOW MUST SUCH BULLIES DESPITE COLOSSAL WEALTH AND POWER NEED TO WIELD SYMBOLS OF EVIL OVER THE MEEK AND HUMBLE
CAN BULLYING GET LOWER THAN FOR THE ULTRA WEALTHY, TO DEPLOY AN ARMY OF STALKERS AND HACKERS AGAINST TWO ALREADY IMPOVERISHED, DISABLED, ABUSE-VICTIMS HAVE NEVER HURT A FLY AND WHO THEY HAVE SINGLED-OUT, BLACKLISTED STOLEN EVERYTHING FROM IN ORDER TO DESTROY THEIR LIVES?
MAYBE THEY PERCEIVE OTHERS AS THEIR INTELLECTUAL, INTUITIVE, CREATIVE, CHARISMATIC, MORAL, AND MAGICAL BETTERS AND THEY RECONCILE THEIR INNER INADEQUACY AS HITLER AND HIMMLER DID, BY USING OCCULT SYMBOLS IN AN EFFORT TO TRY AND CONTROL THE ENTIRE PLANET TO DISTRACT FROM THEIR SELF LOATHING?
NOW THAT DIDN’T END WELL DID IT?
THEY CAN’T BE FEELING VERY STRONG THOUGH FOR WHEN I TRY AND RELEASE THE CELEBRITY CODE, THE BOOK EXPOSING THEIR ACTIVITIES, APART FROM BREAKING WHAT LITTLE COMPUTER EQUIPMENT WE CAN AFFORD, AND WHICH THEY HAVE ALREADY LONG-AGO HACKED:
…THESE COWARDLY INTEL-AFFILIATED BULLIES ALSO INCREASE ZERSETZUNG GANGSTALKING & CYBERSTALKING ACTIVITIES AGAINST JENNY AND MYSELF AND ISSUE YET EVEN MORE VILE THREATS.
AS A RESULT AND IN DETERMINATION TO PUBLISH AND EXPOSE THEM I AM UPLOADING JUST THE FRONT MATTER AS A FREE SAMPLE IN THE HOPE THIS MAY HELP GAIN TRACTION FOR THE PROJECT, AS READERS WILL INEVITABLY LEARN SOMETHING OF THE GRAVITY OF THE INFORMATION CONTAINED IN THE REST OF THE BOOK FROM READING THE FRONT MATTER AND THUS WE HOPE ULTIMATELY HELP TO DRAW ATTENTION TO OUR PLIGHT AND THE SITUATION OVERALL FOR THE BETTERMENT OF THE WORLD.
YOU CAN DOWNLOAD THE BLACK BOOK OF CONTEMPORARY ART – THE CELEBRITY CODE FRONT-MATTER SAMPLE, FROM OUR OWN (NOW MORE SECURE) SERVER SPACE USING THIS LINK The Black Book of Contemporary Art- The Celebrity Code – Banned by the Deep State – Front Matter Free Sample Preview
YOU CAN SHARE THE BOOK SAMPLE AS A DIRECT DOWNLOAD WITH THE FOLLOWING URL:
IF AWARENESS OF OUR PLIGHT IS RAISED WE CAN HOPEFULLY MORE EASILY UPLOAD THE FULL, AND UTTERLY NUCLEAR CONTENT:
…WHICH WILL EVENTUALLY BLOW THE MINDS OF MILLIONS WHEN THE INSTITUTIONAL UBIQUITY OF THE ESTABLISHMENT’S HYPOCRISY, DEPRAVITY AND TRAITOROUS EVIL IS REVEALED FOR THE SAME LEFT-WING AND SO-CALLED PROGRESSIVES ACCUSING PATRIOTS OF BEING NAZIS, HAVE A DARK SECRET WHEN IT COMES TO NAZI SYMPATHIES…
ACCORDINGLY, DESPITE THEIR JOYOUS FLAUNTING OF SICK SYMBOLS UNDER THE NOSES OF MILLIONS OF CRUELLY-DUPED REGULAR-PEOPLE AND UNWITTING-FANS THEY ARE DESPERATE THIS PUBLIC DO NOT RECOGNISE THEIR GENOCIDAL MEANING AND SADISTIC INTENT:
…SUCH AS THE ENCODED SYMBOLIC WORSHIP OF NAZI SS DOCTORS SUCH AS AUSCHWITZ ‘ANGEL OF DEATH’ DR MENGELE:
…THE ENCODED SYMBOLIC WORSHIP OF THE SS:
…AND THE ENCODED SYMBOLIC WORSHIP OF THE LUFTWAFFE:
…THE LEGACIES OF WHICH, WHILE PUBLICLY REVILED, ARE CONTINUALLY CELEBRATED, KNOWINGLY BROADCAST IN CODE ‘NODS’ AND ‘WINKS’ BY COUNTLESS TRUSTED AND BELOVED ENTITIES
THIS SITUATION DESTROYS FOREVER ANY CREDIBILITY IN THE SO-CALLED LIBERAL MEDIA AND ESTABLISHMENT’S POSTURING AS MORAL AGENTS, AND INSOMUCH INFORMS US ALL OF THE SINISTER DYNAMIC OF BOTH THE RESPONSE TO COVID-19 AND ‘THE GREAT RESET’, THE SO-CALLED ELITE’S CURRENT EUGENICIST AGENDA FOR POPULATION CONTROL.
FOR WHILE THE GERMAN ARMY SURRENDERED TO THE ALLIES IN 1945, THE NAZIS AND SS NEVER DID, AND DULY LIVE ON TO THIS DAY, THEIR INFLUENCE HAVING INFILTRATED ALMOST EVERY ASPECT OF MODERN LIFE, AS THE BLACK BOOK OF CONTEMPORARY ARTS REVEALS.
…FOR THE LEGACY OF PROJECT PAPERCLIP AND MK ULTRA SECRETLY RULE THE WORLD OF MEDIA, CULTURE, CELEBRITY, ARTS, POLITICS & WAY BEYOND.
…IN AN APPARENT ATTEMPT TO STIFLE MY WHISTLEBLOWING I AM SHADOWBANNED, DELISTED, AND CENSORED ACROSS ALL MAINSTREAM MEDIA, SOCIAL MEDIA AND BIG TECH- THUS ALL MEDIA FROM LEGACY MEDIA TO TECH GIANTS APPEAR TO BE PROTECTING THE REAL NAZIS FROM EXPOSURE, THIS IS ENABLED BY THE STRATEGIC DIVERSION OF SMEARING PATRIOTS AS NAZIS!
MY PCs ARE, AS MENTIONED, PERMANENTLY UNDER ATTACK FROM ‘REMOTE ACCESS TROJAN’ MALWARE SO SOPHISTICATED THAT THE BEST ANTI-MALWARE EXPERTS ARE UTTERLY BAFFLED.
THUS I CANNOT GET ‘THE CELEBRITY CODE’ OUT IN FULL WITHOUT SUPPORT AND MASS AWARENESS- I HAVE TRIED AND FAILED.
PLEASE READ THEN SHARE THIS PREVIEW FAR AND WIDE, LINK BACK, AND DEMAND I AM ENABLED TO RELEASE THE ENTIRE BOOK.
THE WORLD PAID IN SO MUCH BLOOD TO DEFEAT THE NAZIS, WE DESERVE TO KNOW THE AWFUL TRUTH OF WHAT IS REALLY GOING ON!
…for ‘The Celebrity Code- The Black Book of Contemporary Arts’ exposes the most widespread secret symbolism in history and thus addresses multiple grave global Human Rights Abuses implemented by an apparent continuation of the Nazi Party and Communist Party into a 21st Century fusion of the two totalitarian movements manifest as globalisation.
The arts is where they boast of their ‘cleverness’, actually just psychopathic audacity, in code.
The globalists have, in controlling the arts, enabled the biggest stock swindle and con of social control in history–enabling the shutting down of autonomous voice and the brokerage of imaginary commodities presented as contemporary art.
This occurs under the control of bankers and financiers, with their agenda revealed using a secret code hiding in plain sight in the Mainstream Media, Social Media, and Big Tech…
This social control, wealth parking and money laundering swindle led by a cabal of advertising, banking, and finance tycoons representing so-called ‘elite’ bloodlines…
…is a UK driven phenomenon, and is enabled at its core by UK state organs with global reach, often funded by National Lottery, and BBC TV license fee payer, using propaganda broadcast through the Mainstream Media, British Council, Public Galleries, and Museums in value-adding mechanisms to manufacture and virtue signal an illusion of historical and cultural relevance, inclusion, diversity, ethnicity, humanitarianism…
…and pluralism in the contemporary arts, media, Social Media, and Big Tech.
This is achieved while counter-intuitively celebrating the censorship, stalking and blacklisting that enables it, while bragging of the values of institutional racism, abuse, the occult, the holocaust, surveillance, framing, and smear campaigns using encoded messages broadcast by celebrities and public figures in the Mainstream Media and Tech.
This boasts of their true vile agenda in code, dumbs down and demoralises through psychological operations waged against the public and serves to underwrite contemporary art’s overinflated value bubble through threats implemented and zersetzung gangstalking, aimed at artists. This is aimed in class snobbery and institutional racism against traditionally skilled artists, particularly, at the cutting edge, against we multi-racial underclass from the London’s old school Hip Hop and graffiti writing community who now paint classically.
This Social Apartheid is enforced by arts, media and thug representatives of globalist financiers and bankers reinforcing censorship, harassment, and stalking to enable a monopoly through the actions of a private secret police effectively imposing Cultural Genocide through blacklisting and stalking.
Death Threats against me and my severely disabled partner, are more terrifying due to the fact that at least two of my grassroots working-class graffiti-artist friends who have spoken out have died in mysterious ‘accidents’ and ‘suicides’.
Some believe they succumbed to globalist death squads, especially as this is then boasted of in code, apparently approved of by the highest authorities in media, politics, banking and intelligence, now fused into one totalitarian force.
I have also received apparent death threats from the elite’s own ‘murder inc’; parties who have nothing to do with contemporary art apart from a close connection to its controllers as I have described in detail elsewhere, however the responsibility I bear as we face a new, insidious Nazi menace is too much to ignore.
Thus I have constructed an institutional analysis exposing the methodology and enablers of the Nazification of the “contemporary arts”, the media, ‘liberal’ establishment and society:
…in response to the clear and present danger threatening world peace and the safety of all people, including Hitler’s old victims the Jews, Homosexuals and Ethnic Minorities, who are now used cynically in propaganda to tactically distract from the awful reality.
The exact method of this propaganda is exposed in ‘The Celebrity Code’ The Black Book of Contemporary Arts’, while presenting evidence of systemic Human Rights Abuses according to International Law together forming an institutional analysis of contemporary culture in historical, anthropological, socio-political, economic, mythological, psychopathological, aesthetic, symbolic, cryptographic, and personal context which provides comprehensive evidence of the existence of a Nazi Underground.
Since 1945 it has seized control of corporations, governments, almost all pseudo-liberal media and tech outlets, as well as street movements.
It has escaped detection thanks to the spurious and counter-intuitive pseudo-liberal “political correctness” and “victim culture” while actually pursuing a diametrically opposed, utterly totalitarian agenda.
It is primarily protected by this counter-intuitive propaganda- that act of accusing others of being what they themselves are, and of accusing other of doing what they themselves are doing.
Once this simple formula is recognised, the news begins to make sense, as is explained in The Celebrity Code
I accidentally uncover ed this abomination merely in the act of trying to fulfill my vocation of painting,- I never wanted to write a book.
FROM THE FRONT MATTER
“All I ever really wanted to do, since I was a little boy, was just to be able to reach a surface with my grubby hands to make marks.
Black and white photograph of child finger-painting. Source: Creative Commons, Flickr attribution: aaron gilson. Available from: Flickr, https://www.flickr.com/photos/aarongilson/5419299915/in/photostream/ (accessed December 12, 2018).
It is something I have done with utter infatuation for almost as long as I have been alive and a skill with which I have through hard work long ago achieved virtuosity to the breath taken amazement and elation of my peers and friends, but is a vocation I have been forced to call almost a complete halt to, for nearly ten years, in order to write the words you are reading.
This means my ‘Magnum Opus’, that ‘Great Work’ of my calling, my vocation, has turned out not to be pictorial as I had hoped, with exhibitions, auctions, publications and reviews under my belt and mine and my friends work from the grassroots Hip Hop community contextualised in the canon of the history of art with our own artwork in museums and key public collections as an endowment for the community illumination.
Nor has it featured in private collections as a just recompense for our lifetime’s toil, sacrifice and innate ingenuity carving a new horizon at the cutting edge of culture, such as we have seen through the ages, in order that the wealthy may connect with the life of their times and to behold beauty as embodied in ingenuity and to get in touch with the life of the poor, enabling a redistribution of wealth and ideas.
However in this time, to quote Joseph Campbell in ‘The Hero with a Thousand Faces’, we have been under the control of:
“…the hoarder of the general benefit…the monster avid for the greedy rights of “my and mine.””7.
…the banker, meaning that under the spurious rule of an unelected ‘invisible government’ I have had no opportunity to participate in continuing this tradition in order that humanity’s aesthetic transition through generations of successive aesthetic mutation can be observed in consecutive historical context; yet the lifelong passion for literature and truth and a ferocious will to fight injustice which has enabled me to write such a volume has been enabled by this vocation of painting.
Indeed, thanks to myself, (and the genuine art movement of Hip Hop from which I come), having been stopped from even being considered for access to art history, the new globalist dictators may, in forcibly subduing the planetary aesthetic, have succeeded in merely activating otherwise latent faculties within myself and my peers,and thus unwittingly gifted society with something of infinitely greater value:
“You do not become a dissident just because you decide one day to take up this most unusual career. You are thrown into it by your personal sense of responsibility, combined with a complex set of external circumstances. You are cast out of the existing structures and placed into a position of conflict with them. It begins as an attempt to do your work well and ends with having been branded an enemy of society.”8.
I never even wanted any personal recognition aside from that which may have naturally arisen from the appreciation of my art, from those who might like it if they ever got a chance to see it, should they so desire an understanding of its source. I never wanted to make it about me, it’s not, it’s about art. OUR ART, freedom, OUR FREEDOM!!!
I’m fine in who I am, without selling my soul in order to colonise media columns with narcissistic ballyhoo and ‘Fake News’, merely to feel worthy, or to flaunt sinister symbolism under the noses of millions in an attempt to feel superior, for I’m perfectly happy with who I am in my own skin without the need for ostentatious celebrity, adulation or concocting fabrications to attract fans or followers to reinforce any self-worth.
I have never felt even the slightest desire for the spurious social eminence brought by grand contrived public displays in the mass media to be seen by millions.
I have never felt even the slightest desire for the spurious social eminence brought by imaginary affirmation of any imagined worth.
I merely wanted to set up my easel in a well-lit studio, paint in an ecstatic frenzy of inspiration and quietly show my paintings through a gallery, and so thus be financially and socially enabled to quietly continue with my work, of making new paintings, of ‘grand narratives’ refracted through the prism of contemporary perception, then transferred from my mind to yours, using just some pigments, and the ancient techniques of the Old Masters, (and some new ones), in brand new, never-before-seen ways, to give birth to new art, to pioneer innovation, to show people new ways of expression, exactly as has been the method for centuries, which I would like to have been given the opportunity to do, with my one and only life; however the more I tried to show my work, the more the oppression intensified.
Behind every act of oppression, the perpetrators’ affiliations and allegiances could, with a little detective work and some insider knowledge of the art market, ALMOST ALWAYS be traced back to the pathological influence of one man, the Tory Party propagandist dating back to the 1970s, the notoriously violent, controlfreak and bully, Machiavellian ad jingle tycoon and wife-strangler, widely recognised as the world’s most powerful contemporary art dealer, Rothschild business-crony,Charles Saatchi, in running the contemporary art racket.
Any times it wasn’t traceable to Saatchi’s influence, it was from others under the influence of the same banking cabal.”
The Black Book of Contemporary Arts- The Celebrity Code- extract from preview-Jon Hammer
AND TO THIS DAY THE UNBELIEVABLY VILE THREATS AND HARASSMENT AGAINST BOTH MYSELF AND MY DISABLED GIRLFRIEND CONTINUE, AGAINST 2 IMPOVERISHED, DISABLED, BLACKLISTED, CHILD-ABUSE SURVIVORS, ALWAYS FROM DEEP-STATE BAD-ACTORS WITH LINKS TO THE INFLUENCE OF THE SAME TRILLIONAIRE BANKING BLOODLINES .
THE THREATS BY NOW FILL A BOOK ALL OF THEIR OWN, TYPICALLY COMPRISE OF BEING CONTAMINATED WITH A FATAL DOSE OF COVID, (INDICATING THAT IT IS A BIOWEAPON) ABDUCTION, TORTURE, RAPE, DEATH, TO BE ‘FRAMED’ AS A DRUG DEALER, PAEDOPHILE OR RAPIST,HAVING MY DISABLED GIRLFRIEND MURDERED IN HOSPITAL SO IT LOOKS LIKE SHE DIED FROM SURGICAL COMPLICATIONS, AND EVEN OF HAVING A PLANE CRASHED INTO MY FLAT FROM THE NEARBY AIRPORT.
I HAVE ALREADY ESCAPED DEATH ONCE WHEN A THUG WHO WAS STALKING ME DROVE HIS CAR AT ME AT FULL SPEED.
TEAMS OF THUGS HAVE FOLLOWED US ACROSS THE COUNTRY AND ALL OVER LONDON.
MULTIPLE NEIGHBOURS HAVE STALKED ME AFTER THEY MOVED INTO PROPERTIES ADJACENT TO OUR LAST THREE DWELLINGS.
THE LATEST APPARENTLY STALKING NEIGHBOUR, WHO SUBSEQUENTLY MOVED IN ADJACENT TO THE THIRD CONSECUTIVE PROPERTY IN TEN YEARS, IN TRYING TO RUIN MY REPUTATION AND MENTAL HEALTH AND MAKE ME HOMELESS THROUGH SPREADING LIES TO THE POLICE AND HOUSING BOARD, SAID THAT I RECIEVE A CONSTANT STREAM OF ILLICIT VISITORS 24/7.
HE HAS DONE SO FROM BEHIND THE PROTECTION OF AN APPARENTLY FAKE PERSONA IN THE COMMUNITY AS A CHURCH GOING DO-GOODER, AND IN BEING A MENTAL HEALTH & HOMELESS CHARITY WORKER, BUT IT APPEARS THIS MAY JUST BE A FRONT FOR STALKING AND SURVEILLING ME FOR THE DEEP STATE, FOR NOT ONLY IS HE RATHER SUSPICIOUSLY ADORNED WITH NAZI THEMED TATTOOS AND PENDANTS,
– BUT HE ONCE ACCOSTED MY SEVERELY DISABLED PARTNER WITH A BIKE BY JUMPING OUT AT HER FROM ROUND A CORNER BEHIND A WALL AT THE TOP IF A FLIGHT OF STAIRS JUST AS SHE GOT TO THE TOP, WITH THE WHEEL POINTED AT HER HEAD, SHE BURST INTO TEARS AND HE LAUGHED.
WHEN SHE CAME IN CRYING AND TOLD ME, I EXERCISED RESTRAINED AND I ASKED HIM TO APOLOGISE, HE REFUSED.
HARDLY THE BEHAVIOUR OF A GENUINE CHRISTIAN MENTAL HEALTH WORKER!
WHILE THIS MAY SOUND UNBELIEVABLE IT IS STANDARD PROCEDURE IN TACKLING DISSIDENTS WHO HAVEN’T ACTUALLY DONE ANYTHING WRONG, WITH A PARALLEL JUSTICE SYSTEM.
THE GUIDEBOOK FOR STALKERS HAS EVEN BEEN LEAKED AND CAN BE READ HERE.
THE OFFICIAL GANGSTALKING GUIDEBOOK IS WRITTEN IN ENGLISH WITH ENGLISH GRAMMAR, PHRASES AND SPELLING, INDICATING IT EMANATES FROM THE UK INTEL. AGENCIES, WHO ARE OF COURSE, FUNDED BY THE TAXPAYER IN ORDER TO PROTECT CIVILIANS NOT STALK US, FOR WHILE THERE IS NO DOUBT THAT MANY WHO HAVE WORKED FOR THESE ENTITIES ARE HEROES OF THE HIGHEST ORDER, THERE IS ALSO A ‘BLACK-HAT’ FACTION WHO ARE NOTHING LIKE THE JAMES BOND IMAGE AND MORE AKIN TO NAZI THUGS.
THE GANGSTALKING TRAINING MANUAL, CONTAINING INSTRUCTIONS FOR COMMUNITY BASED AGENTS ON CARRYING OUT MANY OF THE TECHNIQUES USED ON US WAS LEAKED BY DR RAUNI KILDE MD (RIP) THE CHIEF MEDICAL OFFICER OF NORTHERN FINLAND WHO INTERESTINGLY CLAIMED SHE HAD DISCOVERED A BILDEBERG-GROUP PLOT TO DEPOPULATE THE PLANET BY KILLING MILLIONS USING A SWINE FLU VACCINE!
SHE WAS ALLEGEDLY ASSASSINATED USING MICROWAVE-BEAM WEAPONS- A SCIENTIFICALLY-PROVEN TECHNOLOGY KNOWN AS ‘HAVANA SYNDROME’ WHICH IS USED IN ZERSETZUNG AND WHICH WAS RECENTLY IN THE NEWS DUE TO IT BEING USED APPARENTLY BY THE COMMUNIST CHINESE AND CUBANS AGAINST US EMBASSY STAFF.
WHILE OUR OWN EXPERIENCES ARE TEXTBOOK STUFF, I HAVE NO EXPERIENCE OF THE ABOVE ATTACKS SO CANNOT CONFIRM ANY DOMESTIC USE FROM MY OWN EXPERIENCE, HOWEVER WE ARE SET UPON IN A DIFFERENT WAY WITH THE TECHNIQUES USED ON US BEING ENHANCED BY THE USE OF CELEBRITIES INDICATING AN ESTABLISHMENT AS OBSESSED WITH MIND CONTROL AS WERE THE NAZIS, MEANING THAT TO ‘MAKE IT’ THESE DAYS REQUIRES NOT TALENT BUT INSTEAD A PREDELICTION FOR BRUTAL SADISM AND THE ABILITY TO MASK IT WITH SUPERFICIAL CHARM.
INDEED THE NEW REQUIREMENT FOR CELEBRITIES IS NO LONGER INGENIOUS EMPATHY AS IT HAS BEEN FOR CENTURIES, BUT SUBSERVIENT PSYCHOPATHY- IN ORDER THAT THEIR ACTIONS CELEBRATE, COMPLEMENT AND REFER TO THE ACTIONS OF THE STREET THUGS, DEATH SQUADS AND COMMUNITY BASED AGENTS, APPARENTLY RESPONSIBLE FOR THE POISONING OF OUR DOG, POURING PETROL THROUGH THE LETTERBOX, INTERFERING WITH OUR RUBBISH, OUR MAIL, OUR PHONE CALLS, EMAILS, AS WELL AS CYBERSTALKING, BURGLARIES AND PEOPLE SCALING OUR BUILDING.ACCESSING OUR BROADBAND FROM AN ADJACENT FLAT ACCORDING TO A TELECOM TECHNICIAN.
NUMEROUS THREATENING OBJECTS OFTEN REFERRING TO PERSONAL MATTERS ARE LEFT OUTSIDE OUR DOORS AND NEAR OUR RESIDENCES, OFTEN REFERRING TO NAZISM, ABDUCTION ETC AND SOMETIMES IN THE FORM OF CRYPTIC NUMBER PLATES IN A SINISTER NUMBER PLATE CODE WHICH APPEARS TO HAVE BEEN USED BY THE ELITISTS FOR OVER A CENTURY, AS iIHAVE ALREADY AUTHORED A STILL-UNRELEASED BOOKLET ON,
SOME OF THE MORE SINISTER TACTICS HAVE INCLUDED TODDLER CLOTHES MATCHING MY PARTNERS ATTIRE WHICH ARE LEFT OUTSIDE THE DOOR APPARENTLY TO LET US KNOW WE ARE UNDER SURVEILLANCE AND ALSO IN APPARENT ATTEMPT TO SPARK OFF TRAUMATIC MEMORIES OF THE CHILDHOOD SEXUAL RITUAL-ABUSE SHE ENDURED FROM THE AGES OF 3-9 BUT WHICH DID NOT STOP HER BEING THE EXECUTIVE ASSISTANT TO THE CHAIRMAN OF THE G20 BY THE TIME SHE WAS 26. FAR FROM BEING A CRACKPOT LUNATIC ,JENNY HAS WORKED FOR THE MOST PRESTIGIOUS FINANCIAL HOUSES ON THE PLANET, TRUSTED TO MANAGE THE MOST SECRET AFFAIRS OF THE CHAIRMEN- SHE IS POSSIBLY THE MOST CREDIBLE WITNESS IMAGINABLE POSSIBLY EXPLAINING WHY OUR REPORTS TO POLICE OF THE ABOVE INCIDENTS ARE OFTEN DELETED FROM THE UK POLICE NATIONAL COMPUTER, INDICATING THE HAND OF INTEL AGENCIES WHO ARE, WE HAVE BEEN TOLD, THE ONLY ONES TO HAVE THE POWER TO DO THIS, ACCORDING TO POLICE OFFICERS WHO HAVE BEEN OUTRAGED BY THIS AND VERY SUPPORTIVE.
ONE KIND POLICE OFFICER WHO WAS CALLED OUT WHEN PETROL WAS POURED THROUGH THE LETTERBOX, WAS SO OUTRAGED AT WHAT WAS HAPPENING TO US, AND BECAME SO SUPPORTIVE TO US, THAT AFTER READING ‘THE CELEBRITY CODE’, HE REGULARLY PHONED AND VISITED IN HIS OWN TIME AFTER HIS SHIFT FINISHED JUST TO MAKE SURE WE WERE OK AND PROVIDE SUPPORT AS A FRIEND, THEN ONE DAY, MYSTERIOUSLY AND WITHOUT WARNING, THE CALLS AND VISITS STOPPED, HE HAD LEFT THE FORCE AFTER BEING A COPPER FOR YEARS WITHOUT EVEN TELLING US- A COLLEAGUE MENTIONED TO US THAT IT WAS TOTALLY UNEXPECTED VERY UNCHARACTERISTIC FOR HIM TO END HIS CAREER AND DROP OUR CASE WITHOUT EVEN AN EMAIL OR CALL, SO WE SUSPECT THAT HE WAS ‘FORCED OUT’ FOR DOING HIS JOB IN PROTECTING THE PUBLIC A LITTLE TOO WELL.
THE DOMESTIC INTEL AGENCIES APPARENTLY BEHIND ZERSETZUNG GANGSTALKING ARE REPUTED TO BE UNDER THE CONTROL OF THE SAME BANKING DYNASTIES WHO CONTROL THE ART MARKET FOR THE PURPOSES OF ILLEGAL MONEY LAUNDERING AND SOCIAL CONTROL, AND ARE WIDELY REPUTED TO HAVE BEEN INFILTRATED BY THE SECRETIVE GERMAN ‘DVD’ INTEL AGENCY- AN AGENCY REPUTED TO BE A DIRECT CONTINUATION OF THE NAZI PARTY- HOWEVER THIS IS UNCONFIRMED.
MUCH ELSE IS CONFIRMED- HOWEVER THE BOOK, RATHER THAN PRESENTING THEORIES, PRESENTS THE READER WITH THE FACTS IN EACH INSTANCE AND ENCOURAGES THEM TO COME TO THEIR OWN CONCLUSIONS, ENCOURAGING CRITICAL THINKING- SO PREPARE TO AWAKEN.
ONCE SEEN, THE SITUATION CANNOT BE UNSEEN.
IT IS LITERALLY STARING THE WORLD IN THE FACE AND HAS BEEN FOR DECADES, BUT THERE IS NO NEED TO FEEL STUPID THESE PEOPLE ARE PROFESSIONALS IN ENGINEERING COMPLIANCE, WHILE I UNDERSTAND THAT MUCH OF THIS WILL BE DIFFICULT EMOTIONALLY, IT WILL ENABLE A GREAT DEAL THAT IS CURRENTLY PUZZLING IN CONTEMPORARY LIFE TO MAKE PERFECT SENSE.
SURELY IT IS BETTER TO FIND OUT NOW, AND LIKE THIS, RATHER THAN FINDING OUT TOO LATE, WHEN THE ‘POLITICALLY-CORRECT’ GESTAPO ARE KNOCKING AT THE DOOR TO TAKE YOU AND YOUR FAMILY AWAY FOR ‘RE-EDUCATION’.
It’s time to learn a new language guys, it’s time to learn The Celebrity Code. Your life, your freedom, maybe even the world may depend on it, AND YOU.
KNOW YOUR ENEMY.