X-Factor’s ‘Jedward’ Whistleblowing Awakens Millions to the Psychological Warfare on The Arts
THANKS TO JEDWARD & OUR KNOWLEDGE WE HAVE PRIMA FACIE EVIDENCE THAT:
SECRET-POLICE TACTICS TERRORISE THE ENTIRE SPECTRUM OF ARTS, MEDIA, & TECH
TERROR EPIDEMIC OUTSIDE THE ARTS IN THE BROADER SOCIETY!
COMPLICIT MEDIA & TECH ENABLE TYRANNY & WHITEWASH EVIDENCE- AS WITH JEDWARD COWELL-EXPOSÉ
SINCE SPEAKING OUT JEDWARD AIRBRUSHED FROM HISTORY
A WARNING OF SILENCE TO OTHERS?
This isn’t our story to tell! It’s an insight of how corrupt the music industry is! We’re sending courage & strength to all artists being fucked over! It ends now
JEDWARD @planetjedward Twitter Apr 5
I never thought Jedward, camp Irish pop-stars from Simon Cowell’s X-Factor, and Eurovision Song Contest fame:
…would, due to speaking out about the tyranny in music, unwittingly become ‘fellow travelers’ with myself and my peers in the visual arts, from the hip hop grassroots, and traditionally skilled painters, from other communities in the arts…
Fellow travelers definition:
“a person who sympathizes with and often furthers the ideals and program of an organized group […] without membership in the group or regular participation in its activities; broadly : a sympathetic supporter of another’s cause.”
However thanks to their brave whistleblowing, whatever anyone from the grassroots, or in the media might think of them, their style, their music, no-one can reasonably deny in artists’ shared struggle for dignity, autonomy and freedom of expression they are deserving of respect.
For they have possibly unwittingly revealed that zersetzung is in use in the music industry apparently under Simon Cowell, as it is in the art market under Saatchi and film industry under Weinstein and others.
If someone looked like he might challenge the Communist Party’s legitimacy or control, the Stasi systematically destroyed his life. They used blackmail, social shame, threats, and torture. Careers, reputations, relationships, and lives were exploded to destabilize and delegitimize a critic. Some forms of harassment were almost comical: agents spread rumors about their targets, flooded their mailboxes with pornography, moved things around in their apartments, or deflated their bicycle tires day after day. Others were life-altering: Individuals labeled as subversives were banned from higher education, forced into unemployment, and forcibly committed to asylums. Many suffered long-term psychological trauma, loss of earnings, and intense social shame as a result of Stasi lies.
The Stasi used Zersetzung essentially as a means of psychological oppression and persecution to control the populace – lets compare the tactics of:
the most effective and repressive intelligence and secret police agenc[y] ever to have existed.
https://en.wikipedia.org/wiki/Stasi
to the tactics of the music business under Simon Cowell:
So here they are compared, tactic by tactic, and we find that music under Cowell is just the same as art under Saatchi:
Discrediting and Smears
The Music Business
People are desperate to stay in certain industry cliques just to undermine the truth they will try and discredit those that speak up! Be a Leader not a little bitch!
[Stasi Zersetzung] operations were designed to intimidate and destabilise them by subjecting them to repeated disappointment, and to socially alienate them by interfering with and disrupting their relationships with others as in social undermining. The aim was to induce personal crises in victims[…]The Stasi manipulated relations of friendship, love, marriage, and family
https://en.wikipedia.org/wiki/Zersetzung
Surveillance
The Music Business:
Security [are] hired to watch and report back to management like baby sitters taking away artists Freedom to grow!
After the East German popular uprising in June 1953 (suppressed by Soviet troops) the government gave the Stasi the task of systematic surveillance and prevention of unrest in the population
a systematic degradation of reputation, image, and prestige on the basis of true, verifiable and discrediting information together with untrue, credible, irrefutable, and thus also discrediting information; a systematic engineering of social and professional failures to undermine the self-confidence of individuals; … engendering of doubts regarding future prospects; engendering of mistrust and mutual suspicion within groups …; interrupting respectively impeding the mutual relations within a group in space or time ….
— [Stasi] Directive No. 1/76 of January 1976 for the development of “operational procedures”
Infliction of Illness
The Music Business:
Eating disorders and depression are very common in the music industry and it’s cuz nobody cares about the artist’s mental health! only the money!
Operations were designed to intimidate and destabilise them by subjecting them to repeated disappointment, and to socially alienate them by interfering with and disrupting their relationships with others as in social undermining. The aim was to induce personal crises in victims, leaving them too unnerved and psychologically distressed to have the time and energy for anti-government activism.
https://en.wikipedia.org/wiki/Zersetzung
Blacklisting of Free Thinkers
The Music Business:
When artists ask too much questions they’re a threat and are blacklisted and not given the Radio/PR cuz they want them to fail to make way for new naive dreamers to fuck over
and
stars are silent to the machine in fear of not getting the job!
A form of Blacklisting has also been used on Russian dissidents by the state….Sergei Kourdakov,… declared, once a person was targeted, they were “treated like a leper and could only get the worst jobs.”… To accomplish this Blacklisting, the USSR used something called a workbook. The workbook was used to advance or destroy careers. If you were cooperative with the state, your career could be very successful. If not, you would live in poverty.
In East Germany dissidents were Blacklisted as well, and their careers were destroyed [by the Stasi]. After the wall came down they were allowed to inspect their files, and learned why they were unable to get jobs or enter into universities. Dr. Munzert, speaks of the similarity between what is now happening and what the occurred in Germany; he says the goal is “to bring their finances down,” by making them “[lose] their job.”
“Jedward accuse Simon Cowell of ‘deleting their legacy’ after iconic debut single is removed from streaming services
Following their appearance on the series, the duo released a mash up of Queen’s Under Pressure and Vanilla Ice’s Ice Ice Baby as their first single, which went to number one on the Irish Singles Chart and number two on the UK Singles Chart. Jedward had previously performed both songs during the X Factor live shows.
Jedward took to Twitter to accuse Simon and Sony Music UK of being responsible for the track and its music video disappearing from the internet – although sources have confirmed it was nothing to do with the music mogul or Sony.
Taking to Twitter, they wrote: ‘Yo @SimonCowell and @SonyMusicUK. Why have you removed our iconic 1st single Under Pressure Ice Ice baby from all streaming Platforms and deleted the official music video?
‘That’s our legacy! We’re outraged it’s part of Pop culture! We demand a response!’
Fans were also disappointed by this news, with one replying: ‘This is ridiculous! That song was just the beginning for you.’
And also their Eurovison victory in placing at Number 6 for Ireland has now been airbrushed out of history:
Jedward fans were left furious on Sunday evening after the duo were left out of the latest episode of Reeling in the Years.
The hit RTE show was taking a look back at 2011 — the year the Lucan twins represented Ireland at the Eurovision for the first time.
The pair pulled in one of Ireland’s best results at the contest over the last 20 years, finishing a very respectable eighth in Dusseldorf, Germany.
Their song Lipstick scored the iconic ‘douze points’ from multiple countries around Europe, including from Sweden, Denmark and the UK.
Despite it being one of Ireland’s most memorable performances in the contest over the last decade from one of the country’s most memorable acts, it wasn’t referenced in the 2011 episode of the popular RTE show.
During just one night, in 1949, the GDR becomes a “satellite state” of the USSR; overnight, this former stronghold of Nazi nationalistic power, becomes a Communist powerhouse.
Funder describes this reworking of history as a “sleight of history” whereby the communist leaders systematically rewrite history,
https://www.englishworks.com.au/stasiland/
Allegations of Madness Against Dissenters
The Music Business:
Louis Tomlinson from 1Direction ‘responds to Jedward’s allegations about Simon Cowell’ and messages:
‘You guys have lost the plot’https://metro.co.uk/2021/04/06/louis-tomlinson-responds-to-jedwards-tirade-about-simon-cowell-14364059/?ico=more_text_links?ito=cbshare
The Stasi Secret Police:
To threaten or intimidate or cause psychoses the Stasi assured itself of access to the target’s living quarters and left visible traces of its presence, by adding, removing, and modifying objects such as the socks in one’s drawer, or by altering the time that an alarm clock was set to go off.
https://en.wikipedia.org/wiki/Zersetzung
Legal Threats
The Music Business:
Just here casually waiting for the Lawyers to come threatening us!
Interview Questions are screened beforehand by management to control the narrative! If artists go off the script there’s consequences! most interview final edits are approved by label before being published!
Simon has long been a supporter of The Children’s Hospices. In October 2009 he was announced as Patron of Children’s Hospices, now known as Together For Short Lives.
Simon Cowell was appointed Vice President of Shooting Star Chase in May 2015 and has been supporting the charity since 2003. Simon makes regular visits to both hospices and enjoys time chatting with the children and young people. Every year, Simon kindly hosts a special Afternoon Tea at The Dorchester to raise funds for the charity.
https://www.justsimoncowell.com/charities
The Stasi Secret Police:
Preparations for the 85th birthday of Wilhelm Pieck promoted his personality cult as the “father of the German nation.”…To preserve the imperial hierarchy and the personified motif of German-Soviet friendship, the return to “Leninist norms” was hailed.
The music industry is cruel and exploitative – but don’t blame Simon Cowell Cowell faces claims of bullying from former X Factor talent. But blaming Cowell ignores how abuse lies at the heart of the music business…
A cover-up conspiracy [occurs] to pervert the course of justice, by ensuring that there is no proper investigation. Once the secret intelligence agencies are involved, people are too scared to help – police, politicians, lawyers, media and human rights agencies. All the normal support structures and avenues for resolving grievances simply freeze up.
https://www.roderickrussell.ca/
Violent Retribution
The Music Business:
Jedward said they were putting themselves “in a very dangerous position” by speaking out but that “victims in the music industry need to be heard”.
We’ve heard all kinds of stories in LA…People don’t just over dose most of the time it’s a set up they’re put in bath/bed and left there till the emergency services are called! 1:07 AM · Apr 6, 2021·
Communist Use of Assassination and Kidnapping by KGB and STASI It has long been known that the Soviet state security service (currently the KGB) resorts to abduction and murder to combat what are considered to be actual or potential threats to the Soviet regime.
Just as in the art market ruled by Saatchi, in their misrepresentation, through censorship, of hip hop’s art of graffiti, and its derivatives, by censoring art such as mine:
…using the exact Stasi tactics of zersetzung gangstalking detailed below, on myself and others and replacing it with covert fascist imagery:
…fully supported by the auction houses, museums and media
…often using the Nazi salute:
As in the above piece by Escif, from Banksy and Jamie Hewlett’s art dealership, organised under the partonage of Damien Hirst and Charles Saatchi, Pictures on Walls, Cowell and his minions surreptitiously referring to fascism and the Third Reich, in their token misrepresentation of, and distraction fromthe talent of modern dance culture as we shall see for the most famous Stormtoopers of history were of course the feared German military Stormtroopers of Adolf Hitler,
…themselves based on the Stormtroopers of World War I, which George Lucas, creator of Star Wars modelled his creation on:
[Scherl] Reichsparteitag 1936, Der große Aufmarsch der Wehrmacht auf der Zeppelinwiese. 13346-36 ADN-ZB/Archiv Faschistisches Deutschland 1933 – 1945 Reichsparteitag der faschistischen NSDAP in Nürnberg 1936 Der große Aufmarsch der Wehrmacht auf der Zeppelinwiese. 13346-36
It’s quite evident that Lucas based the Empire and its determination for exterminating the Jedi on the Third Reich and Adolf Hitler’s Nazi Party. However, he also took inspiration from the German Empire of the first Great War, namely the Empire’s loyal soldiers, which he based on the Sturmtruppen. During the World War I, the German Empire used highly-trained soldiers called stormtroopers, who specialized in infiltration.
In recent years, the term “stormtrooper” has come to mean something out of the science fiction world of Star Wars. It wasn’t an accident that George Lucas used the term. Before his movies, the word was used to describe the men of the SS, Hitler’s fanatical bodyguards.
But it was also no accident that Hitler and others used the word to describe his elite unit. In the front lines of WWI in 1918, where Hitler was a runner in the trenches, the new and innovative German infantry units dubbed “Sturmtruppen” led the last great German offensive of the war.
In the Romantic Era of the late 19th century that saw Germany become a united nation, the word “storm” was popular. It denoted power and impending doom.
And this impending doom is alluded to by Cowell in his comments on ‘Boogie Storm’, a dance troupe, falsely fed to the masses as the pinnacle of contemporary dance, (while real grassroots hip hop, in music, dance and art is violently censored, including by the mysterious deaths of two of my peers who spoke out about the corruption in the art market).
After a performance Walliams states
“Simon is a camp Darth Vader and you are his camp Stormtroopers”
It can be seen here, the video starting at the appropriate time:
camp n. Deliberate affectation or exaggeration of style, especially of popular or outdated style, for ironic or humorous effect. adj. Showing or characterized by camp. adj. Given to or characterized by exaggerated, effeminate mannerisms. from The American Heritage® Dictionary of the English Language, 5th Edition.
It also means:
camp noun (TENTS/BUILDINGS) B1 [ C or U ] a place where people stay in tents or other temporary structures
So ‘Camp Stormtroopers’ has only one meaning for the millions who endured the holocaust.
…in fact the same apparent camp sick joke
…was used by Cowells associate Banksy, its his manifesto for fucks sake! With inmates sexualised, wearing make-up, in apparent reference to the MKUltra torture experiments pioneered at Auschwitz by Mengele.
…and his boss Charles Saatchi, Cowell’s equivalent in art, a gatekeeper whose purpose is to destroy art, just as Cowell’s is to destroy music, poses as the devil.
Both Saatchi and Cowell are involved in using zersetzung gangstalking against the most outspoken and ingenious to that purpose, including harrassing, sabotaging and blacklisting against me and my disabled girlfriend since 2008:
It is the standard across the entire culture industry as revealed in my book ‘The Celebrity Code’
Saatchi displays many clear signs of being a psychopath and so do his subordinates, and they regularly boast of it, in symbolism, ‘hiding in plain sight’, as is revealed in ‘The Celebrity Code’, as does Cowell:
There’s a reason Syco is called Psycho!
Jedward Twitter
Simon Cowell takes delight in the same Duper’s Delight as Saatchi and as did Weinstein:
Duper’s delight’ is the delight that people feel when they deceive others.
The delight of deception Duping is another word for deception, for tricking people into some kind of action or misunderstanding.
The delight of power and control People who deceive often find a secret pleasure in their success. It is similar to the pleasure that people get when they exercise power. It is as if the brain rewards us for achieving control over other people.
The delight of secrecy Related to power is having something that others do not have. We thus tend to take pleasure in the secret nature of deception, of not only knowing that we have gained something, but also that the other person does not know this.
Spotting the giveaways People who deceive others, and hence feel duper’s delight, often cannot hide their feelings. If you can spot the signals by which they give themselves away, you can avoid being deceived.
Simon Cowell thinks he’s the Mafia leader of the music industry…
Jedward Twitter
So while still maintaining ‘plausible deniability’ Cowell’s position as a dictator, as revealed by Jedward, in the tradition of the Stasi and the Nazis, is apparently boasted of, EXACTLY AS HAPPENS IN THE ART MARKET, for example when Cowell says:
You’re the next generation of Stormtroopers…
…to those using crypto-fascist symbolism to distract from the ingenuity of grassroots hip hop dance, he appears to accept a Nazi salute
Hitler gave the salute in two ways. When reviewing his troops or crowds, he generally used the traditional stiff armed salute.
When greeting individuals, he used a modified version of the salute, bending his right arm while holding an open hand towards those greeted at shoulder height.
https://en.wikipedia.org/wiki/Nazi_salute
And after another Boogie Storm performance David Walliams appears to give a Nazi salute:
..while wearing a replica of an original German Stormtrooper cap- what are the chances of this being a coincidence?.
…A very similar cap can be seen worn by Hitler here:
It can be seen in the video here:
So is it all a coincidence, or a sick joke about their power and the intentions of the elitists they serve?
Totalitarian power was also gloated of by:
The Stasi Secret Police:
[T]he Russian and East German secret police…carefully preserved voluminous records of their misdeeds, as if they intended for posterity to know everything they did and how they did it…[creating a] massive cesspool … of the Stasi’s inhuman treatment of its own people.
So it appears that the hated Stasi totalitarian system of zersetzung and general oppression, along with covert fascist symbolism, is being used across every spectrum of the arts, from Hollywood to visual art to the music business under Simon Cowell, and it’s not just Jedward:
2012 ONWARDS STEVE BROOKSTEIN SLAMS SIMON
Steve, the first ever winner of X Factor, has been open about his dislike for Simon. He has often spoken out against Simon and The X Factor in the years following his win, even writing a book about the whole affair, with the official synopsis reading: ‘It was the stuff dreams were made of. It became the ultimate nightmare. […]
NOVEMBER 2013 CHER LLOYD LEAVES SYCO
Cher left SyCo in 2013, after being signed in 2011. Speaking to Larry King on his US chat show, she said: ‘We all have a specific thing in life that we want to get to and I don’t deal very well with people having [control].’
[…]
SEPTEMBER 2, 2018 STEVE BROOKSTEIN SAYS HE WANTS SIMON TO APOLOGISE Although he said he’s moved on from the drama, Steve still insisted he wanted an apology from Simon. ‘If he could just accept that he made a mistake and could apologise for screwing me over, unleashing Max Clifford on me, if he could just say yes, Steve was a great singer, he had potential but certain things happened,’ he told the Daily Star. ‘Sadly he can’t and he won’t.’
[…]
11 APRIL, 2019 RAK-SU DUB TIME AT SYCO ‘FRUSTRATING’ X Factor winners Rak-Su left SyCo in 2019. Ashley Fongho later told The Sun: ‘How was it last year? Frustrating, confusing, mostly because it affected us putting out music. ‘When we came off The X Factor there were suddenly a lot of cooks in the kitchen. It has taken us a while to get back to where we were before.’
JANUARY 14, 2020 CHER LLOYD SAYS SHE’S STILL DOING ‘DAMAGE CONTROL’ AFTER THE X FACTOR Looking back on the experience, Cher told The Guardian: ‘I had to do damage control. And still, at 26 years old, I have to do damage control. ‘Years later, I do have some anger towards people for doing that to me. I definitely don’t say hello and shake hands with certain people.’
[…]
OCTOBER 9, 2020 LITTLE MIX TAKES SWIPE AT SIMON With the release of their album Confetti, many fans noticed what seemed like a dig at Simon Cowell on Little Mix’s hit Not A Pop Song. They sang: ‘I don’t do what Simon says/Get the message ’cause it’s read. ‘That’s just life, it never plays fair/Said to follow any dream. ‘Be a puppet on a string/Works for you, but that isn’t me.’
MARCH 20, 2021 REBECCA FERGUSON LAUNCHES PETITION After speaking out on her experience, Rebecca Ferguson launched a petition to debate reality stars’ welfare in parliament. The Glitter & Gold singer suggested she was exposing herself to being blacklisted by the music industry but did not mention specifically who she was referring to.
APRIL 2, 2021 CHER LLOYD SAYS SHE WAS ‘EXPLOITED’ In a TikTok duet, Cher sang about being ‘exploited’. She didn’t mention SyCo or Simon by name. She sang: ‘How could I be so naive, they sold me the dream just to exploit me. ‘Said “Darling, darling, you’ll go far if you shake that ass and date a star, and if the record’s taking off, we’ll take the money.”‘
APRIL 5, 2021 JEDWARD SLAM SIMON COWELL AND THE X FACTOR In a tirade on Twitter, Jedward slammed Simon and his alleged treatment of former X Factor stars. They dubbed One Direction and Little Mix ‘survivors’ and claimed to have seen their contracts, due to being under the same management
[…]
2021 GINNY LEMON SAYS THEY HAVE ‘SHOCKING’ STORIES ABOUT THE X FACTOR Following Jedward’s string of tweets, Drag Race UK star Ginny, who previously auditioned for The X Factor, tweeted: ‘Does this mean I should start spillin about some backstage xfactor crap that went down? ‘I mean the scrap heap is full of us rejects and the stories we could all tell SHOCKING Hearing what some other xfactor icons have gone through…’
APRIL 7, 2021 REBECCA FERGUSON DEMANDS ‘IMMEDIATE’ PARLIAMENTARY ACTION Just as Jedward criticised The X Factor and Simon Cowell in their own Twitter tirade, Rebecca published an open letter calling for the Government to put policies in place to protect artists. It has been confirmed that Rebecca will meet with Secretary of State, Oliver Dowden, from the department of Digital, Culture, Media and Sport at the beginning of May to debate musicians’ welfare and treatment.
We too are even worse abused, treated as subhuman, blacklisted, censored, stalked and reviled by our equivalent to Cowell, Saatchi. For unlike the above, I have never even been ever enabled to show my art to the public
…despite me being a traditionally skilled artist of virtuosity and a graffiti writer dating back to 1982
Both Cowell and Saatchi are impostor gatekeepers with legions of lackeys. Neither have anything to do with either music or art or any talent that gives them any right to judge others, and appear to have been appointed due to their psychopathy.
Cowell worked in the post room at EMI, Saatchi ran an advertising agency. Both are the top gatekeepers of music and art, and thus are examples of the totalitarian technique of Negative Selection:
In fact Jedward deserve the respect of every victim of bullying, every ‘targeted individual’ who is being tortured with gangstalking, every talented artist in any field who can’t get a break, or those who when given a break are mistreated, mismanaged, censored or threatened.
They deserve the thanks of every human being who misses the presence of autonomous culture, of anyone interested in freedom of expression, and everyone duped by the biggest con in the history of culture.
For reviled as they are by the media as a novelty act, Jedward have done more for society in holding power to account than the entire Cowell-friendly media combined, and have as such earned their place alongside respected whistleblowers for they did something not ANY media organ did, nor did any of its reporters, or did their readers with their letters to the editor, blogs and social media posts and who collectively look down on, disparage, misrepresent or undervalue these lads.
While not exposing the state corruption that steered Assange and Snowden into incarceration, extradition and exile, Jedward’s expose is perhaps even more valuable, when put into context, for it exposes the ugly reality of culture to millions of otherwise gleefully ignorant pop fans, whose minds are now primed to accept the fact that the atrocities Jedward expose and far worse, are the standard as in use against artists across the entire spectrum of culture, and against innocent members of the public who become ‘targeted individuals’.
Jedward cast terror aside on Aprl 5th 2021 when the twins outed something of the horrific truth of abuse behind the phony benevolent media personality cult of music impresario Simon Cowell, revealing his micromanaged benevolent media image as a Big Lie of contrived sentimentality.
Such fake media personality cults exist across the entire range of the arts.
This is because the arts are no longer in service to the people, (neither is medicine as we are seeing) instead all are now weaponised and in service to the financiers and bankers working toward globalisation, who require a carefully managed and censored culture, as this is the place where dissent is normally found.
So in order to impose drastic change on society, they have slowly and sadistically snuffed out art, and replaced it with kitsch, and as a result they have enabled authoritarian social control for their agendas through the elimination of culture’s delicate ecosystem. This process is described in full in the, at the time of writing unreleased book ‘The Celebrity Code’.
Jedward have done more to raise mass awareness of artists plight of censorship, stalking and abuse in in one day than the entire media have done in four decades, decades in which, on their watch, and with their assistance and complicity, culture has become a wasteland.
Jedward’s action was to systematically report to millions the sinister truth about Simon Cowell and the destruction of autonomous music occurring under him, the destruction of an essential function of humanity’s soul, under the auspices of championing it just as is the destruction of autonomous art, another essential function of humanity’s soul, occurs under Saatchi under the auspices of championing it.
Unlike many media personalities who take roles within charity organisations for the purposes of vanity, cover-up or personality-cult propaganda, they have certainly earned their place as Ambassadors of a bullying charity in leading from the front, in their revelations about music under Cowell.
Those who sneer at Cowell’s cavalcade of kitsch have been given the wrong idea of Jedward, who are thought of by many, due to deliberate mismanagement, as an empty gimmick band merely interested in publicity and thus happy to go along with whatever is required of them in order to keep them onside and in the headlines.
However it was recently revealed to millions by Jedward, at risk to their safety, and prospects for their careers, that the music business is run using the exact totalitarian tactics of the feared Stasi or Gestapo secret-police, as the Modus Operandi, the standard working practice so it appears Jedward, being from Ireland, may have been underestimated in their mass writing-off as a vaccuous novelty act who will do anything for publicity as their newly apparent depth, integrity and bravery may come from the fact that they know very well from growing up in Ireland, in the shadow of the terror of sectarianism, the value of freedom of expression.
But at least the paramilitaries in Ireland have the honesty to be open about their methods, while the arts , while following many of the same techniques, present themselves to the public as paragons of virtue supporting the arts while they secretly destroy them.
Jedward, no doubt empowered by an intolerance that can only be enabled through a loathing of violent coercion, imbued in the in growing up in the crucible of group supremacism that is Ireland, have rejected the secret group supremacim of those controlling the arts.
So in telling the horrific truth to the masses, despite massive personal danger, have helped prepare public awareness toward a mass realisation of the full scale of the atrocious tyranny controlling culture with totalitarian terror, for the same tactics used to control music as described by Jedward and far worse, are also used across the board, to control the art market and movie industry.
So thanks to Jedward, and others who have suffered under Cowell, across every field of human expression- millions can now see the media support of phony personality cults and censorship of terror.
This forms a de-facto, outsourced Ministry of Culture, a paramilitary group working in concert with the media, intelligence agencies and black-budget stalkers, in order to micromanage culture, and stifle autonomous arts, and thus destroy freedom of expression for the purposes of globalisation’s radical agenda for a ‘Great Reset’.
By enabling an awakening in millions of pop fans, Jedward stand to help cure the planet from a plague of totalitarian kitsch that has destroyed the artistic wealth and spiritual health of generations.
What they have revealed to millions of fans confirms what we who have little voice due to censorship, have been saying for decades, that there is a systematic dictatorship controlling arts across the entire spectrum of human expression!
Whistleblowers of the secret truth of culture and the arts in the supposedly democratic west are now revealing that the 21st century dictator, and their personality cults, while appearing to be a quite different to their those monsters of the 20th century, are in fact in essence in what they ae doing to the arts, exactly the same, but hidden by an elaborate veneer of counter-intuitive propaganda, and apparently with the same puppet masters from globalist banking dynasties secretly backing them and causingthe same chilling effects on freedom of expression.
Those tactics shared by Nazi, Soviet and Corporatist/ Globalist dictators are , , , , terror, extermination
coercion-through the propaganda of contrived sentimentality,
micromanaged control of media,
repression-through censorship of key autonomous voices,
promotion of tame puppets of mediocre ability,
threats against and silencing of or mockery of dissenters,
personality cults enabled by controlled media
rule by terror
punishment and reprisal- by use of secret-police tactics
mass public control enabled by the above
reprisal-in mysterious ‘accidents’, unusual deaths and illnesses experienced by their perceived enemies,
the use of sinister symbols which depict their agenda,
extermination of ‘undesirable’ groups
The ‘gatekeepers’ of the arts and their subordinates, the ‘stars’, appear to be fully aware that they are respectively the dictators and enforcers of a new totalitarianism. In fact they positively delight in it.
The difference between the old-style dictators of Socialism and Nazism and the new dictators of Corporatist Globalism is their general ability to keep an evidential distance from the terror, stalking, harrassment, violence and other crime from which they profit.
As a result of this they cannot benefit directly from the expression of their true power so love to boast of this in code, laughing in the plain sight of millions, as is revealed in detail in my censored book ‘The Celebrity Code’.
Their revelations in music, have helped expose that there is a standard Modus Operandi of psychopathic abuse run by gangs of psychopathic Mafioso bullies, which while led by the atrocities in culture, in music, movies and in visual art, and which is secretly celebrated in plain sight extends beyond beyond in society at large, the racket is hiding their abusive control behind media-enabled personality cult façades of glittering contrived sentimentality.
Alongside we blacklisted pioneers of graffiti writing, we of UK hip hop’s first generation, we who after blazing the trail of the biggest art movement in history in the train yards of London:
…retired from clandestine forays beyond the barbed wire in ‘all-nighters’ that were the underclass’s art college, and we turned the dynamic interdimensional abstraction of the graffiti letter form, the virtuoso mastery of which forms the heart of our culture:
…into forms on canvas and so now paint classically.
We have spoken out for years about the sitution that has seen us:
…and our art:
and the true face of graffiti’s eclectic resplendence:
…neutralised, blacklisted from public view, meaning forbidden to show our art autonomously, apart from the occasional token subservient and mediochre graffiti writer, loyal to the Saatchi fake-heirarchy, who is used to keep up appearances.
We have shouted that the traditionally-skilled and pioneering underclass grassroots ‘rule-breaker’ artists have been replaced by Saatchi’s priveliged impostors.
These graphic design graduates recruited from advertising-agencies are given a ‘tag’ name and a backstory and are playing the parts of graffiti writers as we, the real thing, are censored, stalked and even assassinated.
Two grassroots graffiti artists, Robbo 484 and Pavel 183, both who were working with me on films at the time, and both who spoke out to the media about the arrogance and corruption of the Saatchi-run monopoly, both subsequently died in mysterious circumstances as their careers were taking off with massive grassroots and public support, Robbo with massive head injuries leading to a coma and death, and Pavel was either poisoned or hanged, conveniently leaving the Saatchi approved heirarchy unquestioned and without competition, and with the feeling among many leading names among the graffiti grassroots feeling that both may have been murdered by the art market’s secret police to silence them and stop their careers.
Even the establishment agrees that one of the deaths was highly suspicious, with the court coroner leaving an Open Verdict on Robbo’s death.
Anyone doubting the existence of this secret police should know I am undergoing a campaign of censorship, gangstalking and threats which started in 2008 when I, like Robbo and Pavel first showed my art, and spoke out about the censorship, which promised massive grassroots support.
However it never came as, after censorship from the art market since 1990, when I first transferred my art from trains to canvas, in 2008 Jenny and I had saved enough money to hold a self represented solo exhibition, which was promised good press coverage, sabotage as the gallerist abandoned the show and the lighting and internet was cut off.
An autonomous gallery which was to show traditionally skilled art by London old school graffiti writers myself, Prime, Fuel, Keen One and many underclass, multi ethnic, self taught virtuoso legends of London graffiti’s golwas sabotaged by a campaign of zersetzung gangstalking
This was characterised by having a car driven by a thug with a pit bull, and with the number plate M235 NAB > MRB’S NAB > MR B’s NAB, after hanging around our proposed gallery for hours every day for weeks, driven at me at full speed:
Nab definition:verb (used with object), nabbed, nab·bing.Informal. to arrest or capture. to catch or seize, especially suddenly. to snatch or steal.
https://www.dictionary.com/browse/nab
Mr B is the art market’s nickname for Robin Gunningham aka Banksy, the main supervisory art dealer with the Saatchi-granted monopoly on street art.
Something of the horrific stalking campaign is related in part in The Celebrity Code and other books, and is a campaign that continues to this day, only last week I suffered an attempted burglary on the balcony door of my second story flat, I have had my dog poisoned, every exhibition I have been in sabotaged, my disabled girlfriend threatened she will be killed during a vital operation, accosted at the top of a flight of stairs, constant computer hacking, threats I will be framed for non-existent illegal sex crimes, stalking from aggressors who move into neighboring flats, mobbing by aggressive gangs of strangers, my rubbish gone through and left at my door, dead animals left outside my flat, countless computers destroyed, web pages spoofed, my private conversations repeated by strangers in the street, menacing emails , phone calls, censorship by Google, Bing, DuckDuckgo, censorship and cyberstalking on LinkedIn, Twitter, Facebook to name but a few of the attacks, and all is compemented with signs and symbols published in the media, by so called celebrities all who paint crypto fascist and satanic imagery, who produce imagery relating to my real world activity as will be exposed in ‘The Celebrity Code’
Some may think it is an indicator of just how terribly bad things have got, that it has taken a disgruntled x-Factor novelty act to confirm to their millions of followers what I, censored by the art market, media, social media and big tech, have been shouting for decades of censorship, that the culture industry is the outsourced totalitarian dictatorship over music forming a defacto Ministry of Culture, but Jedward appear to be showing that the world has underestimated them. And so we find out that just as:
National Socialism (Nazism) represented much more than a political movement. The Nazi leaders who came to power in January 1933 wanted more than just political authority. They wanted to change the cultural landscape: to promote what they considered to be traditional “German” and “Nordic” values, to remove Jewish, “foreign,” and “degenerate” influences, and to shape a racial community which aligned with Nazi ideals.
Globalisation (New World Order) represented much more than a political movement. The globalist leaders who have come to power gradually over decades want more than just political authority. They want to change the cultural landscape: to promote what they considered to be “globalist” and “postmodern” values, to remove autonomous, “nationalist,” and “ingenious” influences, and to shape a ‘diverse’ community which aligned with globalist ideals.
Jedward’s punishment of being written out of history by Cowell is uncannily similar to the Soviet Union’s tactic under the mass murdering psychopath Joseph Stalin,
…of writing those who went against the leaders’ cult of personality, out of history.
…Joseph Stalin manipulated the science of photography to advance his own political career and to erase the memory of his victims. On Stalin’s orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. For example, a 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself.
In each case, the juxtaposition of the original and the doctored images yields a fascinating – and often terrifying and tragic – insight into one of the darkest chapters of modern history.
And now we find that the modern version of this totalitarian censorship covered by benevolent personality cult, a process already applied to write me and my culture from history:
However thanks to Jedward the entire spectrum of the public are primed to learn that in the 21st Century West, we are suffering totalitarian control of freedom of expression as bad as 1930s Germany or 1920s Russia.
Jedward’s exposure that expression in music is micromanaged by false personality cults, BY EVIL POSING AS GOOD offers us a chance to expose that THIS IS THE CASE ACROSS THE ENTIRE RANGE OF CULTURE.
As newspapers and reporters of the mainstream media, merely publish the details of the expose, their lack of editorial outrage at this atrocity stands as evidence of their collusion with this de facto Ministry of Culture.
Surely the revelation that the most powerful people in Western culture are using STASI and Gestapo tactics to micromanage expression should warrant outrage?
The lack of action against tyranny in the arts by the so-called Fourth Estate, the media whose whose job it is supposed to be to ‘speak truth to power’ and hold tyranny to account, proves they are an active part of the tyranny, and thus are mere lapdogs, as their vague disinterst either normalise, diminish, scoff, snigger or collude in ways that underestimate the importance of their actions.
Jedward rebelled thus artfully stymying Cowell’s plans for their destined demise as another disposable pop commodity to be used up and thrown onto the bonfire of dreams and souls smouldering as the backcloth of his control freakery, instead ingeniously utilised the fame he cynically awarded them to gift we the people with the necessary knowledge.
We fighters for freedom, we non conformists , we who stand against tyranny have underestimated the plucky Irish lads.
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